So, today's children. They will be discussed in the film "Dot, dot, comma...".
...On a clear morning, two boys are walking along a quiet green street with briefcases in their hands. The shrill wail of a siren cuts through the silence as a fire truck rushes by in the distance. The older one, watching her go, is clearly disappointed: "If she were going to school..."
I think that was the first line of the movie. The audience laughed. It's really funny. But I also remember how the boy uttered this phrase — with a sad intonation, with genuine chagrin on his face. So it wasn't just for the sake of laughter that the boy's words sounded from the screen. Isn't this the first touch to the portrait of the hero, one of the details of the components of the character, the image?
A little later, plunging us into the noisy, carefree bustle of the school classroom, the camera catches the wistful look of a teenager in this cheerful animation. Lyosha Zhiltsov will loiter alone like a lost man, and as soon as the lesson begins, he will look out the window.
"He's looking out the window again!" One can understand the irritation of the physics teacher: the student is one of the weak ones. But, to be honest, we want to understand Lyosha. And together with the new student, Zhenya Karetnikova, we begin to take a closer look at the "Tenant" who feels so uncomfortable in the classroom.
It's not pity that makes you watch the hapless Lyosha indifferently. This feeling would probably be equally unpleasant for the hero himself and the creators of the picture — the playwright M. Lvovsky and the director A. Mitte. The authors strive to arouse interest in their Zhiltsov, not pitiful participation. Interest in the process of becoming a person, forming a personality in him.
These intentions were stated immediately and directly. The thought sounds clear and definite, although it is clothed in the form of a playful, unpretentious song that opens the film.
Irony does not hide the seriousness of the question, just as the seriousness of the conversation does not become an obstacle to a cheerful, easy manner of presentation. The terms of the game have been announced: serious and important things will be discussed with us in a relaxed comedic way. Jokes, smiles, and laughter should become thought guides.
The cartoon screensaver amusingly demonstrates how simply a hand-drawn little man appears with the help of pencil and paper.: "Period, period, comma... That's a funny face."
A real, living person is much more complicated...
But A. Mitta is not engaged in proving the obvious truth. He undertakes to follow how this process of formation takes place, how the character is formed and asserts itself. He wants to consider what this evolution is about.
And a man is fourteen. The age at which comes the desire to find and realize your "I". The age when you begin to feel especially acutely that there is "something like that" in you, and you experience this "insufficiency". Mostbet BD https://mostbet-bangladesh.biz – Online Casino, Sports Betting in Bangladesh.